On Tricksters
I was chatting with my pal Michel on skype in Trinidad this morning. In between discussions about health indicators and socio-economic status determinants of health models he mentioned how he stacks up his New York Times magazines for when he travels so that he may have some reading material when dining out alone - he is a father of 4 so out alone is a luxury. He mentioned Lewis Hyde as someone he finds interesting he is
a poet, essayist, translator, and cultural critic with a particular interest in the public life of the imagination.
So as we were chatting I looked him up and lo an behold, he wrote the following book: Trickster Makes this World. Ah! When I feel like am becoming a conformist, I like to think of transgressions and to recognize that my nature whether I like it or not or whether I intend to or not is subversive. This subbersion articulated into how I live, do and think things very often gets me into trouble, whether I am trying to get into trouble or not. Bref it was fun to read a few short essays about Hydes Trickster book and to know that there is a place in the world for rascals. So now back to finishing reading this WHO health determinants report, take the bus to Ikea to purchase a new frying pan, make a dish for the vegetarian potluck I am going to, think of what I am going to bring for late night movie viewing at Emre’s and to enjoying the fact that that none of these geodemographic profiles have me figured out and therefore marketers cannot figure out what to sell to me!
hmm! this Hyde fellow is also involved in the Cultural Commons:
a book offering a model and defense of our “cultural commons,” that vast store of unowned ideas, inventions and works of art that we have inherited from the past and that we continue to create.
[He is] building the book around a brief history of the commons as an idea (how it came out of medieval Europe and what happened to it when it got to America), and around a parallel history of how we have imagined the creative self.
Always in the background lies the question of the commercialization of culture, exemplified at the moment by many things–the ‘enclosure’ of the public domain, the patenting of aboriginal medicines, proprietary control of genetic materials or of the internet, and the general market triumphalism that has followed the end of the Cold War.





